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“Maybe if she were a little bit less of an artist, she’d make it in business.”

A man I respected said that about me in my 20s, and after getting over my betrayed feelings and the self-doubt it gave rise to periodically, it became my favorite motivator. There’s nothing like a little healthy anger from being misjudged to stoke an already burning fire of entrepreneurial passion.
I had my first business when I was 12. It was called “Sherry Bits”, and it involved making dollhouse miniature fruits and vegetables and putting them on consignment in a store in Maryland. Even earlier entrepreneurial pursuits included running my own table at craft fairs and selling handcrafted felt magnets and vending questionably smelling sachets and bath salts roadside. Then there was me at my most resourceful (or most desperate): putting price tags on pencils and other things in my room and luring in my sister in an attempt to transform our relationship into one of vendor/customer.
Why am I sharing this?
I am obviously a creative, but my passion for business has been present in equal measure since the beginning.
And I think there’s a detrimental typecasting that is all too prevalent in the workplace today, one that pigeonholes hires by assigning them limited lanes of travel given the confines of their titles. We all know that producers can be gifted writers, actors can be gifted directors, just as tech engineers can be gifted business strategists.
Humans aren’t one-track. We are dynamic and multi-dimensional.
The Co-Founder & CEO of Airbnb, Brian Chesky, gave an inspiring talk about how designers are so often the ones in a business that connect necessary dots outside of traditional modes of thinking. Great decisions can be made by those guided by intuition rather than fear or status quo. Designers can lead empires, and Brian is a great example of that.
In short, damn straight I can succeed in business, and I’m doing it while wearing this outfit.
I am unapologetically a creative powerhouse now leading, as CEO, the tech company I Co-Founded. We have invented something groundbreaking, and if I hadn’t been willing to trust my inner vision for our invention and keep that vision alive over the many years we’ve bootstrapped our way to nearly $5M in funding, where would we be?
There’s a graveyard for start-ups, and that’s not where we’re headed. Maybe it’s precisely because I have a creative spirit that won’t die out, that we’re not.
My message to the world is this: Let people shine.
Life isn’t black and white. People deserve to be respected with that awareness. Cheerleading the passions in others is the key to success, no matter the business.
And for every hundred “you should be less of an artist to succeed” execs out there, there’s one who thinks it’s precisely because of one’s creative talents that one can. I am fortunate to have found that person in my Co-Founding partner, Mike. He’s been championing my passions and strengths since long before we joined forces in business.
I came together with a veteran of the radio broadcasting business, Mike Kakoyiannis, to Co-Found Tree Goat Media, Inc.
We decided we were going to get out ahead of the trend and creatively invent inside the new medium of our time: AI. But our AI was not going to be in service to further distancing us through media absorption, but instead to fostering a deeper sense of human connection.

The goal with our AI: democratize and monetize the hurting talk audio industry, starting with podcasts.
99% of the podcasters out there are hardly heard and can’t earn from what they have to say, when what they have to say is often the kind of stuff that most people wouldn’t be willing to say.
And that’s precisely why Gen Z is turning to the medium faster than any other demographic – because they find it a safe space to feel and process what’s coming up for them. Inside a dark ocean of content are endless tickets to a sense of belonging, shared human connection, voices working through the same challenges of life and mind and heart and body as I am.
Breaking these voices out of the jail of invisibility is what I’m here to do.
We are building a new form of Search that makes you feel something.
Consider when the last time was that a Google search made you feel ‘all warm and fuzzy’…
Sometimes you hear a voice, and it makes you feel like you have a home. Radio was called “the companionship model” for that reason. Hosts become a part of our lives because we want to be given information and learn and be entertained by humans, not robots, not links on a page. We crave familiar, reliable sources of support. We crave the comfort of the human voice.
So what if the delivery of information started to have more human in it, rather than less?
My team and I are building the technology that knows how to identify the regions most likely to have someone feel something from within spoken dialogue.
Google set out to build the ‘brain of the world’, and in many ways, it did. But what about ’the heart’. What about information delivered in emotionally-connective packages. Human to human.
Tree Goat is building Marbyl as the first search engine for the spoken word.
We are putting the heart back in Search.
We are building that Heart.
Some Give Credentials,
I give Confessions.
This project was about “making art out of life”, no matter the good, the bad, or the ugly of it. Because when any experience can be “owned” as art, your whole world changes.

SHORT BIO
From billboards to box art, from dressing style to technology, Sherry enjoys employing formats that have the power to induce a closer look, her projects inspiring the bold promise that “Beauty Is Closer Than You Think.”
Sherry has exhibited in numerous group and solo shows internationally, and is represented in Frankfurt, Germany by Alp Galleries. Her work has been featured by SCOPE Basel, Communication Arts, Clear Channel, Casa da Abitare Magazine, The New Inquiry, NYC TV, and she has modeled for Swiss Air, MAC, and Vanity Fair.
Sherry’s Collectors include a handful of National Bestselling Authors, writers for HBO and The New York Times Magazine, stars of MTV, Grammy winners, famous actors, musicians, scientists, architects, and countless lovers of detail and “beauty in the unlikely place” romantics around the globe.
Having entered the tech space, Sherry’s creative skills as a multi-media content producer versed in social media led to her drive to create an enhanced, contemporary environment for podcasts that is more conducive to the media. Co-Founder and Chief Product Officer of Tree Goat Media, Inc, Sherry is currently developing an audio technology platform called Marbyl with an expanding global team.
FULL BIO
Sherry’s artistic vision collapses the familiar distinctions that box our world into opposing categories – high and low; tragic and comic; beautiful and ugly; trash and treasure – revealing them to be mere matters of Perspective.
From billboards to box art, and from dressing style to technology, Sherry enjoys employing formats that have the power to induce a closer look, her projects inspiring the bold promise that “Beauty Is Closer Than You Think.”
When Sherry moved to New York City, she began capturing “street paintings” with her film camera – found, unadulterated scrawls on walls, splattered sidewalk paint, and street lane stains – which evolved into the project A CLOSER NY.
Named to represent Metromedia Technologies’ Outdoor and the Arts Program, A CLOSER NY garnered the support of former Manhattan Borough President Scott Stringer, and received special feature by Fourth Arts Block in the form of scaffolding space and through Clear Channel Outdoor’s Local Spirit campaign in the form of billboard space around the city. A short film made about the project, entitled “Sherry Mills on ArtUP”, won entry into the HollyShorts Film Festival.
Additional CLOSER collections were developed in San Diego, LA, Mexico, and Florence.
Sherry’s invention of a new form of Portraiture utilizing the assemblage medium took flight thereafter, which allowed for a more intimate exchange with her audience. From online questionnaires and interviews, Sherry extracted the dreams, struggles, and interests of her subjects and then interpreted them – through the use of photos, dollhouse miniatures, vintage advertising, found objects, and custom-crafted audio-delivered poetry – in box art form.
Her heartbreak over a sudden crash of a 10-year relationship then led to THE BETRAYAL PROJECT. Sherry’s sharing of her real-time pain in a multi-media way led to cathartic response inside her audience. It was her broken heart that originated her role as Relationship Artist and her desire to create provocative art solutions for the emotional release of the pain that leads to sickness, if left alone. Her mission: To Art Your Heart Open.
As Sherry began developing a podcast born of that mission, she ran into a fortuitous challenge.
In order to effectively grow her audience around the long-form audio she was recording, she realized she’d need to segment that audio into smaller, topic-based regions, and make each of those regions as visually intriguing as possible, so that she’d have ample amounts of effective social content with which to generate traffic for her show.
This led Sherry to realize: this issue exists for most podcasters.
What if she could create a solution – not just for her show – but for everyone’s?
Putting her head together with former CEO of MMT and Founder of Big City Radio, Mike Kakoyiannis, a solution was arrived at. As Co-Founders of Tree Goat Media, Inc, they are currently developing a proprietary audio technology platform with an expanding global team.
Sherry has exhibited in numerous group and solo shows internationally, and is represented in Frankfurt, Germany by Alp Galleries. Her work has been featured by SCOPE Basel, Communication Arts, Clear Channel, Casa da Abitare Magazine, The New Inquiry, NYC TV, and she has modeled for Swiss Air, MAC, and Vanity Fair.
Sherry’s Collectors include a handful of National Bestselling Authors, writers for HBO and The New York Times Magazine, stars of MTV, Grammy winners, famous actors, musicians, scientists, architects, and countless lovers of detail and “beauty in the unlikely place” romantics around the globe.
ARTIST STATEMENT
There are two ways to deal with spilled milk. One is to cry over it; the other is to appreciate how fantastic it looks.
Our perspective is all we have… and we are either imprisoned by it, or we are freed by it.
Perhaps you’ve experienced that sweet freedom that comes from putting down the “label” and just letting something – or someone – be exactly what they are.
For me, a great tool for releasing from conflict has been a way of outward seeing that takes in the landscape in a label-less way.
Abstraction becomes the healing agent. It’s all about appreciating form for form’s sake.
When a splattered curb is seen as an exquisite painting of curves, textures, color play… I have succeeded.
For that curb is no longer about dog piss or utility. It is eye candy. It’s a means to melt into my momentary freedom.
I’m always amazed by how the simplest shift of focus, can be so liberating.
How something as simple as tape on a sidewalk could hit me like a museum masterpiece.
The practice of appreciating the mess, the details, the happenstance, exactly as they are… it allows me to find beauty in the areas where I thought it not to be, throughout my everyday life.
Even inside the heartbreaks and the tragedies.
I’ve discovered that once life becomes an everywhere art show, there’s no going back to a time when surrounding riches were scarcely noticed.
No matter the challenges still ahead, it’s how I see… that actually has my back.
I believe appreciation is the necessary ingredient for real global change, because we only take care of the things we appreciate.
When we haven’t an appreciative relationship with our surroundings, it’s easier to cut ourselves off from those larger conversations, like about climate change.
Nothing positive is ever born of conflict. But of gratitude, well…
Gratitude is ready to explode open in every moment, if but for the manner with which we see and take in what’s right in front of us.
And to the extent that we’re courageous enough to play creatively with our pain.
So may your vision be aglow today, with the wonderment of the once mundane. And the brilliance inside those harder landscapes.
Beauty… may be closer than you think!
Yours in the Spills,
Sherry
MY STORY
What was inside that frame, to others, may have been a gorgeous pink line ruined by a smudge of tar. To me, and just like me – it was perfectly imperfect – and therefore asking me not to change a thing. I knew, at least for that moment, that I was going to be ok. Perhaps without realizing it, I was reframing my relationship with “illness” by finding beauty in the unlikely place…
I discovered that wherever beauty is not meant to be, but is discovered to be, illness goes…. away.
Fast forward to the ultimate reframing challenge: the crash of a betrayal-laden ten-year relationship.
What was the secret to my healing?
Becoming a rock star with my pain.
I owned the experience, as an art form. And in doing so, I liberated myself.
We’re not taught to trust pain. We’re taught to run away from it.
Just like we receive lots of education about simple first aid but are severely ill equipped to handle the breakages created by death, divorce, and other emotional losses.
I discovered that the way out of my pain was to lie down inside of it in full surrender, with a pen, a costume change, a playlist, and a box of Kleenex.
The poetess wanted control, and I gave it to her. Because she can find the art inside anything.
Said by Lady Gaga when speaking out about her rape, “You can own your pain and it can be a good part of you.”
I now apply that same “Rock Star” approach to help me through the various challenges, losses, reflections, and transitions of my everyday life.
I’ve found that honest inquiry mixed with creative expression is the ticket to my shine.
So I love sharing my latest Rock Star Moments with my followers, in the hopes of opening your hearts that much wider to the vibrancy that lives… right there inside the harder things.
And whether I’m overcoming loss by covering myself with props or I’m admiring the temporal beauty of life by staring at fake flowers in a shop window…
I am committed to being as honest with you as I can be with me.
And I’m committed to bringing the art that is life to the forefront, for us both to take a good look at it.
So we can be Rock Stars, together.
May you shine that much brighter today, and every day from now on.
Love,
Sherry

My Greatest Comeback
It doesn’t take much more than being a deeply feeling person with some painful history and an...
Objects of Fate
It was a vintage egg on my grandmother’s table for as long as I can remember. I eventually came to...
Musings From The Inside
Here in this den of mine Cheap luxury in red Letting me control The reach of the sun The air that...
The Seidenberg Inside
A wit and a charm That would infect you like an airborne virus A man who preferred you to be...
Burning The Candle At One End
“But if it’s a dream I don’t want No, I don’t really want it If it’s a dream I don’t want Nobody...
Bowery Me
She was thrilled when she found Those shoes in Chinatown And she continued wearing them Right on...
Eye Contact
“Because in the end, you won’t remember the time you spent working in the office or mowing your...
Frank and Patty
They held hands With the sturdy obligatory grip Of children on a field trip Function and safety...
The Myth of the VIP
I know about drinks with New Yorker art critics, department heads of the Metropolitan, famous...
What My Night On An Active Volcano Taught Me About Takeout Containers
Jutting 900 meters out of the Tyrrhenian Sea, off the northern coast of Sicily, is Stromboli… a...
I Go Not Quietly
I go not quietly I go as perfume unidentified A shelter of pulsating pink For those willing To...
Your Dreams Are Only As Farfetched As You Say They Are
I know about getting my work transformed into New York City Billboards. Ever in love with the out...
Palais Livingston
8 Photos
Sherry’s A CLOSER NY prints featured by Alp Galleries in “Herr Franz”, the Frankfurt Press Club’s showroom inside the Palais Livingston, a 19th-century landmark building in Frankfurt’s banking district.
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Kronberg Castle
2 Photos
“The Closer Look” one-day exhibition of Sherry’s prints by Alp Galleries in the medieval castle of Kronberg, Germany. Featuring sale “Cone Tar”.
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Art Frankfurt
Sherry’s A CLOSER NY prints and box art assemblages featured by Alp Galleries at the Messe Frankfurt exhibition grounds.
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SCOPE Basel
7 Photos
Sherry’s A CLOSER NY prints and box art assemblages represented by Alp Galleries at booth #E-17 at Scope Basel Pavilion. Click to see sold Box Art piece, “Salty Man”.
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Alp Galleries
28 Photos
“A Closer Look” solo show of Sherry’s photographs and assemblages at Alp Galleries in Frankfurt, Germany. Featuring sale “Mercer Wall” and other works.
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ABACO Space
7 Photos
Group show featuring Sherry’s photographs and assemblages at ABACO Space Contemporary Art in Know, Germany.
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Jane Hotel
6 Photos
“Mao Over Mao” assemblage was the featured artwork at “The Adventures of Mao on the Long March”, a five-hour reading marathon of Frederic Tuten’s novel from which the assemblage was adapted upon the request of the event host, The New Inquiry. Notable readers included Jill Bialosky, Wally Shawn, and Laurie Anderson.
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Rogue Space
13 Photos
Solo debut of Sherry’s box art portraits and the unveiling of three commissioned works before the fascinating New York characters they were created to represent, in a show called “Perspective” at Rogue Space in Chelsea, NYC.
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Greenpoint View Gallery
9 Photos
Showcase of Sherry’s first box art piece, “The Gran Box,” as part of the Nuit Blanche New York Festival, Bring To Light.
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HollyShorts Film Festival
5 Photos
The short film “Sherry Mills on ArtUp” won entry into the reputed HollyShorts Film Festival in Los Angeles, and was given a private screening.
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A CLOSER NY Documentary Project: LA
8 Photos
Documentarians Nathalie Michel & Joe Nardelli capture Sherry’s outdoor adventures as she humorously introduces her NYC work to the LA landscape.
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A CLOSER NY Documentary Project: Florence
11 Photos
Documentarian Nathalie Michel captures Sherry’s outdoor adventures as she humorously introduces her NYC work to Florence.
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A CLOSER NY Documentary Project: NYC
12 Photos
Documentarians Nathalie Michel & Joe Nardelli capture Sherry’s outdoor adventures as she introduces her A CLOSER NY project to the people of New York.
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A CLOSER NY: Lincoln Tunnel Billboard
4 Photos
26’ billboard displaying A CLOSER NY imagery as part of Clear Channel Outdoor’s Local Spirit Campaign, viewed by millions of vehicles exiting the Lincoln Tunnel into Manhattan.
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A CLOSER NY: Chelsea Billboard
6 Photos
26’ billboard displaying A CLOSER NY imagery as part of Clear Channel Outdoor’s Local Spirit Campaign, viewed by those traveling South on 9th Avenue in Chelsea.
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A CLOSER NY: McGuinness Blvd Billboard
7 Photos
26’ billboard displaying A CLOSER NY imagery as part of Clear Channel Outdoor’s Local Spirit Campaign, viewed by those connecting to the Long Island Expressway in Brooklyn.
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FAB’s ArtUp Public Art Program
6 Photos
Fourth Arts Block (FAB), in working with ArtForward, opened its public art program with a solo exhibit of Sherry’s A CLOSER NY imagery spread across the 40′ semi-permanent scaffolding of its street-side gallery. FAB felt Sherry’s imagery would speak favorably to the East 4th Street Cultural District it was created to help advance.
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Office of the Manhattan Borough President
9 Photos
Manhattan Borough President Scott Stringer hosted an honorary reception and solo, summer-long exhibition of 19 large-scale works from Sherry’s A CLOSER NY collection in his office gallery.
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EYES WIDE NY
11 Photos
MetroMedia Technologies (MMT), a world leader in outdoor media display, selected Sherry to represent its “Outdoor and the Arts” program. For EYES WIDE NY, MMT sponsored the production and raffle of multiple large-scale works from Sherry’s A CLOSER NY collection for their major advertising clients.
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Nuyorican Poets Cafe
3 Photos
Live solo performance of Sherry’s one-woman show “Glitter in a Band-Aid”. East Village, NYC.
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D-Lounge
8 Photos
Live solo performances of Sherry’s one-woman show “Glitter in a Band-Aid”. Union Square, NYC.
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NY Arts / 450 Broadway Gallery
2 Photos
Sponsored by the NY Arts Magazine, Sherry curated the show “Mixed,” featuring artists Carl Andre, Sol LeWitt, Francesco Clemente, and up-and-coming contemporaries. Inclusion of Sherry’s photographic works.
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USA Today
“Marbyl Ecosystem to Better Monetize Spoken Word Media by Making Podcast Moments Searchable”
NY Weekly
Article published about Sherry’s company, Tree Goat Media: “Podcast Technology Cracks the Code on the Mental Health Crisis by Connecting the Human Voice with Those Who Need it”
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Fundable
Marbyl makes the New & Noteworthy Section on Fundable
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Healers Magazine
Published writing piece, “Tethered”
Collective Arts
“Dad Apples” photo still from The Dad Box selected as one of the inaugural labels for Toronto’s newly launched brewery, Collective Arts. New artist collaborations were highlighted in The Toronto Star, The Globe and Mail, and HuffingtonPost.ca.
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Märkische Allgemeine
News feature about Sherry Mills’ photography and box art exhibition at Giampaolo di Cocco’s ABACO Space in Kunow, Germany.
NYC TV / Channel 25
Studio interview with Host and Executive Producer of the magazine show Paragons & ICONS, Stephany Byrne. Aired on NYC Channel 25.
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The Pothole View
Work featured in the post “Arts and Politics: Doll Boxes”.
Paragons & ICONS
Studio interview with Host and Executive Producer of the magazine show Paragons & ICONS, Stephany Byrne. Aired later on NYC Media.
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Staff Pick on Kickstarter
Awarded special feature for the project “Matchbox Me: Personalized Box Art On Demand, by Sherry Mills”.
READ POST
The New Inquiry Magazine Cover
An altered still from The Baby Jane Box was used as the cover of The New Inquiry’s first magazine.
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The New Inquiry
Stills from Mao over Mao box art piece were published in The New Inquiry’s article “The Great Leap Forward.”
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Idiom
Article “Accidental Graffiti: On Sherry Mills” by Atossa Araxia Abrahamian
The Beheld
Interviewed by The Beheld’s founder Autumn Whitefield-Madrano for the article “Sherry Mills, Artist, New York City.”
READ POST
Dossier Journal
Interviewed by Ethan Hon for the article “Self-Portrait, Target: Sherry Mills’ Commissioned Shadow Boxes.”
The Focus Project
Selected as a featured photographer by head curator Daria Brit Shapiro.
Action/Cut Short Film Competition
Short film ‘Sherry Mills on ArtUp’ was announced as a semi-finalist of the Documentary Category of the Action/Cut 2010 Short Film Competition.
Mingle Media TV
Interviewed by Karen Worden of Film Courage on the red carpet of the HollyShorts Film Festival’s Opening Night in Los Angeles.
Film Courage
Interviewed by Karen Worden of Film Courage on the red carpet of the HollyShorts Film Festival’s Opening Night in Los Angeles.
CityArts Newspaper
Featured in CityArt’s ‘Paint the Town’ after attending Lower Manhattan Cultural Council’s “Downtown Dinner”.
Communication Arts
SherryMills.com wins ‘Webpick Of The Day’ by reputed design source Communication Arts.
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Case Da Abitare Magazine
Renowned Florentine architect Claudio Nardi’s renovated home, and adjoining firm, were given special feature in the April 2007 edition of Case da Abitare, with credit given to Sherry Mills for her large-scale work selected by Claudio for his main living quarters (“Orange Chain” from the A CLOSER NY Collection).
News12
Interviewed on Bronx Channel 12 during an Open Studio Tour organized by the Haven Arts Gallery.
Pop Sustainability Ezine
Interviewed by Steffani Jemison for the Article “One Man’s Waste is Another Man’s Warhol”.
NY Arts Magazine
Announcement for the show “Mixed” at 450 Broadway Gallery, curated by Sherry Mills.

“Sherry Mills’ close-up photographs of accumulated waste/paint on New York City streets, look incredibly like studied abstract paintings.” – Daria Brit Shapiro, Curator for SCOPE International Art Fair
“Hi Sherry, my wonderful matchbox arrived last week and it is amazing and a treasure. Thanks so much, it is displayed prominently in my house and I love it. You are a remarkable and gifted artist.” – Diann Martin, Illinois


We all like to think of who would make or play us in a movie about our lives. Sherry captured my essence and it was like looking at myself through her extraordinary eyes. The resulting piece is sublime, transporting, resplendent. I will cherish it for years (that is until I put it up for a bidding war at Christie’s).” – Sasha Graham, Author of Tarot Diva
“Hi Sherry – I wanted to write because I’ve been getting your emails on your betrayal project and there’s a synchronicity in my life – I loved someone who lied to me and hurt me more than anyone has ever hurt me. Every day I feel like I’m drowning in a sea of pain, but I have to act like I’m fine. I know I’m worth more than the near-abusive treatment I said “ok” to for so many years, but the truth is I’m dying inside, and I am afraid to give a voice to it. I get angry at the world and lash out … maybe I’m just trying to stay alive. I wanted to say thank you, for exposing your pain, because some of us can’t.” – Katie, NYC
“Sherry’s show was a staccato deliverance of poetry, imagery, social criticism, self-search… with a passion that made me think there is hope in my own existence.” – Dimitri Katsarelias, Ph.D, Professor of History


“I am stunned by how much of ‘me’ you managed to pack into my box! I feel like, every time I look at it, I notice another nuance. Thank you so much for all your work and creativity! You have been blessed with a great talent and I hope that it continues to give joy to you and others.”– Kathy Koons, Florida
“Sherry! I love my box. I posted a pic of it on my FB page and my friends think it’s me!! Thank you so much! – Durga Garcia, West Palm Beach
“I find myself looking forward to receiving your e-mails. Not since the late 90s with Joe Frank’s other side have I been so glued to the radio. Please be encouraged and produce more of this wonderful work. Thank You.” – Photographer Aldo Mauro
“This is an incredibly powerful piece of poetry…clearly written from feelings deep within you. The video is visually engaging and accompanies the poem seamlessly. WOW! Your work certainly has a strong cathartic element to it.” – Steven E., CT
“A mastery over betrayal; a reclaiming of self; building a new aesthetic for love. All profound, brilliant, courageous, imperative! And, providing a healing for your readers! Thank you, Sherry.” – Kimberly Vaughn, Broadway vocal coach and producer, NYC
“Wow. I so appreciate your courage – going into some really dark terrain, Sherry. Very cool.”– Lori Evanson, Texas
“This is a compelling and inspiring work, Sherry. The staccato of the opening lends weight to the idea of the “mental shrapnel” of all the pains you sharply mention in its explosive start. It’s as if you explode at the beginning and then you invite the audience to share in the gentle emancipation from pain in the “sweet, blossom dust”. I enjoyed the gentle, soothing acceptance of torment as being a constant but not a fear. “A petrified forest was ready to turn to art straight inside us.” A very beautiful message that is truly inspiring. I hope that by many people taking time to express their reaction to your work it will drive you on to produce more and more and continue to inspire.” – Sam Jay, England
“I wanted to share with you that something happened to me after I watched your video on betrayal yesterday. I think it inspired me to take the stand I needed to with Geoffrey, a guy I’ve been dating the past three months. I decided that I’m no longer going to allow people in my life who are going to be reckless with my heart. Period. Onwards! When I thought about it – I think your video played a part in me taking more of a stand with myself. Thank you, Sherry.” – Christina E., Dallas
“You are a very, very brave and talented artist.”– Brian Riordan, Wichita







I loved Sherry’s urban landscape photography right away. It captures so broadly what the eye misses so narrowly. What Sherry doesn’t know is that her art was reminiscent to me in a personal way, which further encouraged me to help her.
When my daughter was just about five years old, we were on a beach looking for seashells. As I was walking along at my pace, my daughter’s smaller steps and closer perspective to the beach yielded a different view. As she tried to get my attention saying, “look Daddy, baby shells” I kept responding, “yes Katherine, we’re looking for shells”. Finally she dug in her little feet and emphatically pointing to the sand stated, “DADDY, BABY SHELLS!” I walked over to her, crouched down, and saw the most delicate array of tiny, tiny shells – of all different types and colors. It was almost a colony unto itself. It really represented my life at the time; moving too fast and not capturing the surrounding landscape.
Sherry’s mind’s eye captures and literally creates out of what is seemingly non-existent space a most delicate array of all different types and colors, naturally occurring, unnoticed in our harried lives. This is what Sherry and A CLOSER NY are to me. As people take time to observe Sherry’s perspective, I hope they too will see the baby shells they are missing in their lives, and the gentle artistic reminder that Sherry is nudging us with to stop and enjoy the beauty around us.” – Jim Campbell, Urban Lure

“Sherry’s work becomes, rather than an extraction of abstract forms from city streets and walls, imagery that evokes the true wonder of New York: the fact that countless cultures and classes collide and blend, ultimately enriching the entire fabric of New York’s humanity.” – Carol Salmanson, NYC
“I think that you are very artistic and fun to be with! You were born to be this way! I think that you get better and better and better at being an artist!”– Adam Goldstein, 2nd Grade, NYC


“I love love love the photograph. Every time I walk by it, I think, ooh I
love it! I had a connection with it the second I saw it. My 7½ month old Leo is enjoying your photograph as well. It’s in a place he can see it from his doorway jumper – and since its arrival, he has been spinning himself around to study it. I am completely serious!” – Elissa Josse, Brooklyn
“This is ingenious because the dimensions of the video include you, your former relationship, the element of time and place, and the satellite mystery girl. The images are extremely powerful but your words and your transformation, the most powerful! At the end, you are the victor…” – Sana Ahmed, NYC
“I just found my box!!! AMAZINGLY awesome, like lookin’ in a mirror.” – Buster Brown, NYC
“The box arrived today. I LOVE it!!! You captured where I am right now in my life perfectly. You did an amazing job capturing my personality. Thank you so much!” – Jake Russack, Atlanta
“I am so amazed at how well you matched my Matchbox to my interests! I LOVE IT! Thank you so much.” – Kambra Larsen, Seattle

“The box arrived and I love it! It is fantastic – I intend to display it prominently at work as a reminder of life outside work!” – Robert Fraser, Sydney, Australia
